A Guide to Checked Patterns in Menswear

Menswear has seen extensive use of angular patterns and geometric based design throughout history and still seems to be in the forefront of men’s design today. The classic designs of grids, checks and plaids have a long history and remain popular today as well. We shall be discussing the different variations that can be found in the simple yet effective design of boxes and lines. Men have a tendency to showcase and project a stern upfront. This has led to their design following simple and efficient patterns that catch the eye subtly.

Having such designs are closely linked to men looking confident in what they are wearing and projecting. CBD and Delta have been studied to help people with anxiety and get them to go for anything they do with confidence. There are many websites you can visit for Delta-8 THC and other variants. 

A simple stripes and checks pattern personify simplicity without giving away the formal appeal and a subdued yet striking look. Let’s look at the different patterns in the world of stripes and checks, but first what are checks in the first place?

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What are Checks?

Checks can be defined as vertical and horizontal stripes or lines meeting in perpendiculars and parallels to form squares and rectangular shapes on the cloth. As there can be innumerable stripe patterns with varied thickness of each line, there can always be more designs that stem out from it. But there are some designs that have been used since centuries and are clothing equivalents to the words bold and formal. The distinctive manner in which each pattern forms has given them different names to be used and followed. 

Graph Check

The most basic square pattern is an evenly spaced grid made up of thin lines in a single colour, known as a “box check” or “graph check” due to its resemblance to graph paper. Graph check is typically seen on shirts, and the most common version is a white shirt with a navy blue grid, resulting in a pattern that is both conservative and office appropriate. These boxes of graph checks are small, about a quarter to half an inch in size. Colors like red. Yellow and green are used too and it is a well accepted fact that the bigger the squares, the more the cloth is inclined towards informal wear. 


Tattersall, which is similar to a graph check but involves lines of two or more different complementary colours, comes next in terms of complexity. To name a few color combinations, blue and black, green and blue, red and blue, and orange and blue are all possibilities. A tattersall’s lines can be different thicknesses or solidities, clearly defined or faded back.

Getting its name from the Tattersall’s horse market in London, the pattern has come a long way from being used in horse blankets to being used in extensive formal wear. Evenly spaced lines to alternating light hued colors against a white background is what makes tattersall stand out. 


Gingham was originally a fabric made from cotton blend yarn, but the term has also come to refer to the pattern with which it is associated. The gingham weaving technique produces a monochrome check pattern on a white background. Depending on the colour used, the level of transparency varies.

Nonetheless, gingham’s association with casual dining speaks to the fabric’s nature as a casual fabric.

As far as the American imagination goes, Gingham is defined by its ‘rural’ simplicity as it is often associated with Dorothy from The Wizard of Oz, who wore blue Ginghams. 


The tartan pattern is a criss – cross, overlap of lines with varying width; the word plaid has been attached to tartan for long. Plaid is actually a piece of cloth with the tartan pattern design that the Scottish used to wear. The word ‘plaid’ has Gaelic origins, which loosely translates to blanket. 

Tartan is the most complicated checked pattern in menswear, made up of intersecting lines of varying thickness and any number of colours. Though this is not always the case, the squares and rectangles on a tartan are usually different sizes because the space between the lines does not have to be uniform. This adaptability, as well as the fact that new tones are created when different coloured lines intersect, make for a great variety in its look as a cloth design. 

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